I vividly recall the last time I was at a concert - it was a night of March the 19th, 2005, and I as a member of a church group went to see some Christian rock. Since then I have neither attended a church service, nor visited any other concert; I feel no rancor towards either, however there wasn’t a proper opportunity for me to take an action in either fields.
The proper opportunity arose a few weeks ago when I spotted a gigantic poster at our train station. It advertised the arrival of the legend of folk and rock, Mr. Tambourine Man, Bob Dylan. Although the time I truly worshiped Dylan would date dozens of months back, the decision to book the tickets followed after only a short soliloquy. Finally, the 9th of June appeared on the calendar and I went to see Bob Dylan.
My feelings are rather mixed.
First of all, the advertised show kicked off eighty minutes after the scheduled beginning, but as I was assured that is now a new norm. Thankfully I am as punctual as I am patient, and the Blackberry’s Brickbreaker is addictive and contagious, which I didn’t want to believe before my friend pushed me into playing it for the first time. But at the end of those minutes of idleness I was started to grow impatient.
Then the lights went off, rhythmical organ tunes started echoing in the spacious arena, and a deep-voiced announcer started citing milestones in Dylan’s career, his successes and legacy. At that moment my resentment against the past sufferings was shed and I was truly looking forward to the musical performance.
Oh, how disappointed I was! The show was almost unbelievably uniform — the songs sounded alike, the characteristic organ was completely missing, and the famous songs did not make the playlist. But one at a time - the songs differed from each other in no more than subtle details that were too hard to spot; the melodies were interchangeable and when a new song begun, I couldn’t remember what the previous one was about. Maybe it was because he left his typical instruments at home; the harmonica reached apex of its exposure during the initial announcement at the beginning, the bass appeared the stage only twice, everything else was taken care of by a boring and non-identifiable cacophony of tones from guitars, drums and keyboards. The sad status quo was further exacerbated by the choice of the songs — the ones with distinct melodies, especially from Highway 61: Revisited, were almost completely omitted, along with other famous pieces. Dylan might have gotten us all wrong when he thought we came to be introduced to his less-known works, but frankly at least I came to see what I am so familiar with.
Furthermore, I did not expect that Dylan, 67, would be boisterously jumping around the stage with his guitar and harmonica, but he never moved away from his keyboard, positioned at a 90° angle counter-clockwise to the audience, and never turned his face towards the people in front of the stage, let alone directly behind his back where we sat. As a matter of fact, I at first believed Dylan was one of the guitarists, so negligible was his part; perhaps a more “personal” approach to the concert would be appropriate. Again, my expectations didn’t include any expressions of feeling of a warm welcome, but not uttering a single word beyond the songs’ lyrics until the very last song after which he introduced his band verged with austerity. He sounded as though he came to languish in a shift like the clerks might do in Walmart — nothing more and nothing else. Several of his studio-recorded CD’s I happen to own provide far better atmosphere than a live show; one eventually comes to questioning whether that’s right.
It’s likely that I will establish a rancor towards concerts after this. Having spent over $50 on a ticket that gave me virtually no added value over a $10 CD was a mistake. Perhaps he just had a bad day, perhaps he forgot to synchronize his watch with our daylight savings time, perhaps he was afraid he’d bore us to sleep if he played Like a Rolling Stone, perhaps… there was just way too many perhapses that the number excepts an unfortunate coincidence. Next time I will let my soliloquy unfold into lengthy critical silent debates.
Missing a next great concert would thus be only Dylan’s fault.